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Post #2641
Wobbles =/= brostep
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Yeah but it's made most of dubstep generic rather than what Burial and James Blake did.
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It's only generic because artists see it as an instant popularity gain. Look beyond the scope of the loud and obnoxious stuff and you'll find some genius work from the likes of Skream, Phaeleh, Plastician and DMZ.
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Benga's album is still awesome though. Any more like it?
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I'm assuming you're talking about Diary of an Afro Warrior? Try out Skream (the album) and Outside the Box.
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Yeah Diary of an Afro Warrior is great.
Whom are the other ones by?
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for producing I would cause its really easy to learn
but I would but some outside VSTs like FM8, massive, absynth, albino 3
depends on what you want to make.
I you wanna make wobble stuff buy massive thats the best one for that
if you wanna make joker style stuff buy FM8 or Albino they're really good for that
also buy a sample pack like the ones from vengeance they are really good!
a friend and I use FL with alle the stuff I said here and this is what you can make with it
me
http://soundcloud.com/brahmzz/grover-travels
friend
http://soundcloud.com/brownzmusic/br...beezy-rinse-fm
http://soundcloud.com/brownzmusic/shotgun-clip
he's better that me but he's doing it longer
if you want more info I can give you that
Edited:
Rusko is no brostep man
Circus rec are the ones who started that hype
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For all of you talking about FL Studio, I am going to be the one who will be brutally honest here,
FL Studio is for strictly beginners, you will never obtain any substantially 'genuine' outstanding mix.
People tend to use FL Studio to begin their adventure, then stick with it, let me tell you, DO NOT do that.
Edited:
I can't believe you said this for FL Studio... I would never recommend FL Studio for PRODUCING..
I understand you say its easy to learn, but that kind of learning is bad, you will learn how to produce, mediocre tracks on FL, then when its time to step up into the big boy leagues, you will hop on Ableton, and Logic.. You will be more lost than Hellen Keller playing marco polo.
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They're by Skream, funnily enough.
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have you ever heard of Benga and Skream? they use FL ;)
most big Dubstep producers use something weird Rusko uses acid....
my friend Brownz is really booming over here he's tunes are being played on big gigs even in the UK
Bar 9, doctor p, Beezy, lost , inspector dubplate,.... played some of his tunes so I think you're wrong with that
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The "Box Of Dub" compilations are really good.
Edited:
Also "My Demons" by Distance.
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None of the artists you just named, besides Rusko, are 'big'.. and by 'big', I mean, world tours, or signed with noticeably large companies, spinninrec, insomniac, william morris, amonly...
And I can tell you first hand, most of them use Abelton+Logic Pro
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Skream & Benga are DEFINITELY big.
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If you think that I don't know what you're doing on this page!
I really don't
You don't know a thing of Dubstep than man...
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Who cares if they're popular or not. By your logic "The Glee" albums are the most important albums of our time.
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I am involved in the industry, you clearly aren't...
I am being the realest here, when I refer to 'big' I am referring to globally, world wide, not just in one country, or even one city rather...
Just an FYI, Colombia Records UK is not large at all, in rector scale to Insomniac, Committee Ent, William Morris, AMOnly, Live Nation...
You have a lot to learn
Edited:
I'm not saying I care if they are popular or not, I'm arguing the fact, that they claim they are 'big' which they aren't.
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Fair enough. I do think Benga is kind of popular though.
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Popular, sure I will comply with that, the problem is, they aren't comprehending, when I say BIG like I clearly said, I mean BIG... I'm not saying that they aren't anything, or are garbage lol..
Magnetic Man is a great show live, I saw them when I was over in Belgium for Tomorrowland, at some pre-party.
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And Skream.
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And together!
Magnetic Man!
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You're american you ppl just heard of dubstep i've been listening to dubstep for years
If you knew anything of the real dubstep scene you would know who the artists I just mentioned are and you would know what they are big in the scene if you have Doctor p on a gig its sold out no doubt.
you really don't know anything of dubstep or the artists man
I'm also not impressed by what your involved with
I really hate that dubstep is getting so popular and that big corps are making it the way it is today
Dubstep was a really cool scene and now its crap...
btw I'm not saying brownz is big... I'm saying is getting bigger... never and that he is gaining much respect over here
while you are saying benga and skream are not big which is stupid and dumb!
Edited:
you forgot artworks
he is not big
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Well I just wrote out a long and really good reply, and this awesome coding of this forum doesn't know how to multi-quote, so that got put to waste..
In short, you are an idiot, you are arrogant, you are ignorant, and don't forget, you can't read..
I never said I didn't know who any of those artists were you named, and I didn't say that they weren't popular or good either, infact, I explained this just a few posts above..
I hate people who pull the 'OH NOW THAT BIG CORPORATIONS ARE INVOLVED THE SCENE IS NOW SHIT'...
No fool, it isn't, and big corporations are BETTERING the scene, so you are out-of-line for saying you hate what they are doing to it....
They are BIG CORPORATIONS for a reason, million+ dollar corporations, you say you aren't impressed, well there is your ignorance..
The ones I named, have nearly 90% of any artist that is ANYTHING, all of the high up, world wide, famous artists.
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what ever man...
I think the same thing about you.
have a good day
cause I'm just not interested any more.
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???
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sorry that was wrong... not paying attention
It was intended for fortnash. I am really sorry
Edited:
LOVE THIS TUNE!!!!!
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I wanna say 1 more thing
It doesn't matter which softw you use
its the VSTs that are important
for instance if you want hard wobbly stuff most producers take massive no matter which softw they use.
Because its the best one to use for that style. so saying you can't get big using FL is absurt.
I don't use any of the FL VSTs only others so the production value goes up.
the same with percussion I use vengeance which most producers use to and recommend.
So you can get big with FL if you use it right.
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I can't believe people are still on that "FL Studio is inferior" bullshit.
I use Live, and have dabbled with FL Studio, Reason, Logic, Cubase, Pro Tools, and Reaper.
FL Studio is not a toy. There's nothing about FL Studio that makes it unsuitable for making quality music.
If you knew anything about producing, you would know this.
The only legitimate criticsm you could have about FL Studio, is that it's not as comprehensive as "engineer tier DAWs" for tracking, editing, mixing, and mastering (Image-Line is always trying to improve that area). But it doesn't take away from the fact that it's excellent for composing music.
Fortnash this is ironic as fuck, 'cause you posted Porter Robinson's music in the Electro / House thread, and he uses FL Studio and is proud of it.
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The Union Jack would look a shit ton better with a Hammer and Sickle in the middle of it
November 2007
6,742 Posts
ITT: everyone with a DAW installed on their pc is a production god
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I use FL to and I love it....
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Benga is a god.
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Hipster. But very true.
The gross commercialisation of dubstep is making and ruining it at the same side. For every person who likes it, there's someone saying "It all sounds the same", or variations of that idea. And the well known, "good" popular stuff is repetitive. It takes time to find good artists who aren't just another jumping on the bandwagon.
And don't even get me onto the comments on dubstep videos, on Youtube, Metacafe etc.
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Chill.
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So Halo Nova suddenly decided he is called Varien and he remixed the above song.
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The Algorithm, one of the very few good dubstep artists in my opinion. Mostly because he mixes it with other things as well, like djent.
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I have a feeling this will enrage some of you.
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Those reactions are so laboured.
Edited:
Oh god those intervals make we want to kick a baby and punch a kitten.
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kids are weird...
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